Events

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.

An exhibition of paintings, the work seeks to represent the anguish of war torn peoples. Attempting universality, Portraits of War is a general comment on the metahistory of eternal conflict, specific to the effects pf war within species: those who suffer and are sacrificed when balance is displaced by a warring civilization. Portraits of War is presented as a work-in-progress, and was programmed according to conceptual connections to Tobey Anderson's work (Modern Fuel Gallery) and to the theme 'foreign states'.