Events

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Saturday February 16, 2008
Start time 3pm
Modern Fuel (21A Queen Street)

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Donkey Skin, featuring the artists Farheen HaQ, Heather Passmore, Chantal Rousseau, and Miya Turnbull, is an eerie visual presentation of beautiful and unsettling images dealing with the self-presentation of women in relation to the gaze, both male and female.

“Slide Show” presents a series of stained-glass slides with a custom lightbox made by Mark Thompson, a visual artist working predominantly with glass since 1991. Though mainly undertaking large-scale architectural glasswork commissions, he has also generated a steady stream of studio artwork including autonomous glassworks, paintings and mixed media objects. Thompson maintains a glass/art studio-building in Sydenham, Ontario.

Come on out in support of Modern Fuel Artist-Run Centre on Saturday March 1st 2008 and experience a fantastic one-of-a-kind fundraiser,

Mascara!

Plastic People Theatre Company Presents:

Punchline

A Play About the Media, the Apocalypse, and Probably Your Mother.

Plastic People Theatre Company Presents:

Punchline

A Play About the Media, the Apocalypse, and Probably Your Mother.

Plastic People Theatre Company Presents:

Punchline

A Play About the Media, the Apocalypse, and Probably Your Mother.

This exhibition features the work of Boja Vasic and Vessna Perunovich. It is a visual survey that examines the social phenomena surrounding what the artists call "forced nomads."

Exhibition Opening at Modern Fuel Artist-Run Centre
15 March – 19 April 2008
Reception: Saturday 15 March 2008 @7pm

Nathan McNinch writes: "All we leave behind was originally conceived of as the sequel to a project I have been working on since 2004, even in a crowd, i was always alone. This was originally intended to be single project which examined both the physical and mental or perhaps philosophical nature of human need for interaction and companionship, manifested in a series of recordings documenting the physical properties of the human voice--verbal communication being the most common form of communication--and recordings made in communal spaces. While developing even in a crowd...

This exhibition features the work of Boja Vasic and Vessna Perunovich. It is a visual survey that examines the social phenomena surrounding what the artists call "forced nomads."

Nathan McNinch writes: "All we leave behind was originally conceived of as the sequel to a project I have been working on since 2004, even in a crowd, i was always alone. This was originally intended to be single project which examined both the physical and mental or perhaps philosophical nature of human need for interaction and companionship, manifested in a series of recordings documenting the physical properties of the human voice--verbal communication being the most common form of communication--and recordings made in communal spaces. While developing even in a crowd...

This exhibition features the work of Boja Vasic and Vessna Perunovich. It is a visual survey that examines the social phenomena surrounding what the artists call "forced nomads."

Nathan McNinch writes: "All we leave behind was originally conceived of as the sequel to a project I have been working on since 2004, even in a crowd, i was always alone. This was originally intended to be single project which examined both the physical and mental or perhaps philosophical nature of human need for interaction and companionship, manifested in a series of recordings documenting the physical properties of the human voice--verbal communication being the most common form of communication--and recordings made in communal spaces. While developing even in a crowd...