Events

Thinking Inside the Box features the video installations of Montreal-based artist Christopher Flower. Flower’s video installations explore interactivity and incorporate installation with the mechanical processes and spatial complexities of kinetic sculpture.

With “History(s) of Canada,” the artist Rebecca Soudant presents viewers with a series of books that cover eons of Canadian history, a vast undertaking, in comparison with other text books that cover a mere five hundred years.

On Saturday February 21st, 2009 from 3-5 pm Modern Fuel and the artist Christopher Flower invite you to experience a one-time only workshop entitled, “Opening up the Box,” an informative lecture that reveals the hidden processes of Flower’s art.

Come on out to Modern Fuel on Friday February 27 for our Miracle Fruit Dance Party. Miracle Fruit (Synsepalum dulcificum) is a fruit native to West Africa which contains a natural chemical that temporarily rewires certain tastes buds causing intensely sour flavours to seem deliciously sweet.

$10 at the door buys you one Miracle Fruit tablet, flavour shots and unlimited dancing. Additional tablets are $3 each.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.

Featuring the drawing installations of Montreal-based artists Jing Yuan Huang and Jerry Ropson, Modern Fuel’s newest exhibition, Wind from the East, offers varying interpretations on what it means to come from the East, and whether or not geographical directions have any bearing on today’s globalized art practice.

Marija Hamed has been an active member of the Kingston arts community since beginning her studies at Queen’s University in 2000. Working in encaustic collage, her style continues to evolve, including the incorporation of transfers of her black and white photographs. She incorporates subdued elements common in everyday landscapes, such as electrical posts, trees and birds, then builds layers of color and texture through alternate materials to further express what these objects lack in their anonymity. Marija currently lives and works in Waterloo, Ontario and the Boston, Massachusetts area.