Events

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

Portfolio Reviews

Date: SUNDAY July 13th 2008

between the hours of 10 and 5pm
at Modern Fuel Artist-Run Centre

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

FACE
CAVE

Modern Fuel's 11th Annual Regional Juried Exhibition is at Modern Fuel from August 8th to September 5th, 2009, with an opening reception on August 29th at 7pm. The curatorial premise for this group exhibition is to reflect the wide-ranging practices of artists in the Kingston region and is meant to provide a forum in which to compare artistic modalities from one year to the next.

!!!SOLID GOLD!!!

DISCO, DANCING, DRINKS, & DEBAUCHERY.

$8 in advance, $10 at the door
'precious metals' dress code in effect (sequins WILL be considered a precious metal)

A disco-themed dance party featuring the cool groove stylings of DJ’s LK, Sealegs, and Helen @ 10pm, preceeded by a sound-art performance by Craig Leonard @ 8pm. Doors open @ 8pm.

Craig Leonard’s "Sun Ra to Sunn O))) – A Blasted History of Noise" is an hour-long audio performance presenting over 100 significant noise albums from 1965 to the present. Leonard will masterfully create a flow of 30-second samples from alternating records continuously intersecting across two turntables, working his way chronologically through albums such as Sun Ra's "The Magic City" (1965) to Dave Phillips "They Live" (2009).

!!!SOLID GOLD!!!

DISCO, DANCING, DRINKS, & DEBAUCHERY.

$8 in advance, $10 at the door
'precious metals' dress code in effect (sequins WILL be considered a precious metal)

A disco-themed dance party featuring the cool groove stylings of DJ’s LK, Sealegs, and Helen @ 10pm, preceeded by a sound-art performance by Craig Leonard @ 8pm. Doors open @ 8pm.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

As part of Art After Dark, downtown Kingston’s exciting gallery tour, Modern Fuel is presenting a dynamic program of videos produced by artists Sarah DeCarlo, Bear Thomas and the youth of the Katarockwi Native Friendship Centre during this summer’s Voice Off workshops.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.

Chronotopic Village gathers together the work of Nadia Myre, Kevin Burton, Cheryl L'Hirondelle, Darlene Naponse and Thirza Cuthand, who each in turn invite the audience to engage multiple and diverse chronotopes (times-spaces.) Each artist presents meditations on new and ever-changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces. In this exhibition curated by Wanda Nanibush, the specific locations of each artist are multiple, and how that impacts their artistic engagement with time-spaces is the Chronotopic Village.

Dream Temples is a sculptural project that incorporates the remains of nature and human civilization into cement structures. These hybrid architectonic structures reference sacred temples for the living and the dead, ancient dream temples, and temple forms that mark burial sites. Cement is the much used construction material of our times, having a utilitarian, impersonal, and indeed, even institutional quality. Cement is a monolithic product of a culture which has so greatly emphasized rational triumphs, through its temples of consumption and production.