Michelle Bunton

Title: Bat POV (If I could by gradual degrees be transformed into a bat)
Year: 2017
Artist: Michelle Bunton
Medium: Computer monitors, desk, chairs, video and python interactive program.
Dimensions: Varies depending on materials supplied.
Title: Bat POV (If I could by gradual degrees be transformed into a bat) Year: 2017 Artist: Michelle Bunton Medium: Computer monitors, desk, chairs, video and python interactive program. Dimensions: Varies depending on materials supplied.

Title: Bat POV (If I could by gradual degrees be transformed into a bat)
Year: 2017
Artist: Michelle Bunton
Medium: Computer monitors, desk, chairs, video and python interactive program.
Dimensions: Varies depending on materials supplied.
Title: Bat POV (If I could by gradual degrees be transformed into a bat) Year: 2017 Artist: Michelle Bunton Medium: Computer monitors, desk, chairs, video and python interactive program. Dimensions: Varies depending on materials supplied.

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Title: 1/1
Year: 2016
Artist: Michelle Bunton
Medium: Wood, laminate, tube television, DVD player, Buttkicker sound system
Dimensions: Bleachers Approx. 5 ft x 4 ft x 6ft., False Court 0.5ft x 2ft x 3ft.
Title: 1/1 Year: 2016 Artist: Michelle Bunton Medium: Wood, laminate, tube television, DVD player, Buttkicker sound system Dimensions: Bleachers Approx. 5 ft x 4 ft x 6ft., False Court 0.5ft x 2ft x 3ft.

Title: 1/1
Year: 2016
Artist: Michelle Bunton
Medium: Wood, laminate, tube television, DVD player, Buttkicker sound system
Dimensions: Bleachers Approx. 5 ft x 4 ft x 6ft., False Court 0.5ft x 2ft x 3ft.
Title: 1/1 Year: 2016 Artist: Michelle Bunton Medium: Wood, laminate, tube television, DVD player, Buttkicker sound system Dimensions: Bleachers Approx. 5 ft x 4 ft x 6ft., False Court 0.5ft x 2ft x 3ft.

1/1

MICHELLE BUNTON IS A SETTLER/DERBY JAMMER/MULTI-MEDIA ARTIST/FLEDGLING CURATOR WORKING OUT OF KATAROKWI/KINGSTON.


EMBRACING THE POSSIBILITY OF FAILURE, THEY ARE EMBARKING ON A FEMI-QUEER/ONTO-EPISTEMOLOGICAL/MULTI-SPECIES ENTANGLEMENT WITH THE SIMULTANEOUSLY SINGULAR AND PLURAL SLIME MOLD, FRAMING THIS AS A RELATION BETWEEN DERBY JAMMER AND COACH. SOMEWHERE BETWEEN PARAFICTION AND SPECULATIVE FABULATION, THEY WILL CONSIDER HOW ONE MIGHT BUILD AN ETHICAL PROTOCOL FOR ESTABLISHING A RELATIONSHIP BETWEEN THE HUMAN AND MORE-THAN-HUMAN.


BUNTON’S RECENT WORK HAS PRIORITIZED A DECOLONIAL ETHIC, COLLABORATIVE PRAXIS AND QUEER INTIMACY AT A DISTANCE