Post-Mortem Survey for Making Art Work 2020-21
Thank you for participating in the Making Art Work professional development workshop series co-presented by Modern Fuel Artist-Run Centre, Union Gallery, and Agnes Etherington Art Centre. We are looking for feedback from participants of the program to inform future professional development programs. The survey should take no longer than 10 minutes to complete. Your answers will be anonymous. Thank you for your time!

Soft Sensing
By Greta Grip and Lee Jones
State of Flux Gallery
May 17th - July 19th
In this exhibition: Soft Sensing at the Modern Fuel Artist-Run Centre, we explore knitting as a data recording medium. Here audiences will both create and unravel knit stitches through active participation and sensors in the environment. Our exhibition will have three methods of participation: (1) human unraveling by manually pulling on the knitted panels to unravel them by hand, (2) walking in front of our unraveling machines that sense human movement, and (3) walking into areas of the building with sensors that measure movement and will cause rows of stitches to be made on mini knitting machines.
The Life of a Party is a series of knitting machines that respond to the physical activity in the gallery space, creating several long-knitted party streamers. As individuals walk by the sensor it will knit a row on the streamer, tangibilizing the movement of individuals through the space. With the colour of the yarn changing each week, we will be able to see the ebbs and flows of movement through the building. In contrast to most recording methods, our record of this exhibition will be an imperfect, tangible, soft, colourful, knitted party streamer.
The goal of our Unraveling series is to use making and unmaking to reflect on collective feelings around a period of time, to break them down and take them apart in order to better understand them. As individuals approach the installation, their presence will be sensed through ultrasonic sensors that then spin a motor to wind up the knitted panels until they fully disappear. This artwork series makes use of the physical affordances of machine knitting. Knitting is a process that uses a single yarn that is manipulated into looping knots to create a textile. Due to this fabrication method, machine knitted panels can also be unraveled by pulling the end of a piece and turned back into a spool of yarn. Machine knitting specifically is influenced by the history of computing. With her hacked knitting machine Greta makes image graphics in binary colours, with two stitches: a knit and a purl stitch that can be translated into binary 1s and 0s, are then automatically stitched as a pattern on her machine. By unraveling these graphical knitted panels, new layers are revealed underneath to create a slow textile video.
This project has been produced with the support of Artengine.
