Post-Mortem Survey for Making Art Work 2020-21
Thank you for participating in the Making Art Work professional development workshop series co-presented by Modern Fuel Artist-Run Centre, Union Gallery, and Agnes Etherington Art Centre. We are looking for feedback from participants of the program to inform future professional development programs. The survey should take no longer than 10 minutes to complete. Your answers will be anonymous. Thank you for your time!
Thu, Oct 17
|Zoom
Artist Talk for A Common Babble
Join us for an Artist Talk with naakita f.k. on Thursday, October 17th from 7pm - 8pm via Zoom.
Time & Location
Oct 17, 2024, 7:00 p.m. – 8:00 p.m.
Zoom
About the Event
Join us for a discussion about A Common Babble on display in the State of Flux Gallery and more.
This event will take place online via Zoom and is free to attend.
MEET ARTIST NAAKITA F.K.
naakita f.k. is an interdisciplinary artist based in Tio’Tia:Ke/Mooniyang/Montreal. Their work is grounded in principles of oral tradition, Indigenous feminisms, anticolonial and colonial scientific knowledge practices, and world building. Through place-based and site-specific relations, they consider extractivism, including both resource extraction and extractive ideologies that show up in the wake of violence to land.
Working largely in audio and video installation, the visuals featured in f.k.’s work often include performance gestures such as hands making contact with places, touching, assembling, burying and building. They explore portraiture of interior and exterior spaces through a still and contemplative lens and develop sonic environments that integrate eco-acoustics such as birds, breath, waves, and conversation. Their current research uses hauntology to explore the impacts of the colonial project on built and natural environments, while imagining possible futures that can be contained in a haunted place. This practice is rooted in creating modes of listening to landscapes and the human and other-than-human-beings that inhabit them. They consider landscapes in the abstract. Sometimes referencing inner or outer worlds, micro or macro worlds, nonlinear experiences, of time and the ways that fragments of the past are felt in present and future moments.