Post-Mortem Survey for Making Art Work 2020-21
Thank you for participating in the Making Art Work professional development workshop series co-presented by Modern Fuel Artist-Run Centre, Union Gallery, and Agnes Etherington Art Centre. We are looking for feedback from participants of the program to inform future professional development programs. The survey should take no longer than 10 minutes to complete. Your answers will be anonymous. Thank you for your time!


Thu, Dec 04
|Rehearsal Hall
Curatorial Talk: Smile, or nourbeSe philip’s revolutionary intention
Time & Location
Dec 04, 2025, 6:00 p.m. – 8:00 p.m.
Rehearsal Hall, Tett Centre, 370 King St W #203, Kingston, ON K7L 2X4, Canada
About the Event
Join us for a curatorial talk with Katherine McKittrick on this exhibition, which centres nourbeSe philip’s moving poem “Meditations on the Declension of Beauty by the Girl with the Flying Cheek-bones“, exploring themes of Black girlhood, Black femininity, and revolutionary aesthetics that challenge colonial narratives and re-code the promises of modernity. The talk will be followed by a conversation moderated by Muna Dahir, with a Q&A to follow.
Katherine McKittrick is Professor of Gender Studies and Canada Research Chair in Black Studies at Queen’s University. She authored Dear Science and Other Stories (DUP, 2021), and Demonic Grounds: Black Women and the Cartographies of Struggle (UMP, 2006). She also edited and contributed to Sylvia Wynter: On Being Human as Praxis (DUP, 2015). Recent projects include the limited-edition boxset, Trick Not Telos (2023) and the limited-edition hand-made book, Twenty Dreams (2024).
Muna Dahir is a Ph.D. candidate in Gender Studies at Queen’s University, where she also completed her M.A., and holds a B.A. in Socio-cultural Anthropology from the University of Toronto Scarborough. Grounded in Black studies, feminist studies, and anti-colonial thought, her research traces Black feminist modes of archivism, documentation, narration, reading, and inquiry across Black Atlantic cultures. Through relational methodologies and direct community archival collaboration, she examines how Black women cultural producers have strategically intervened in and extended the historical record, revealing the innovative ways Black feminist thought continues to challenge dominant narratives while creating new circuits of knowledge.
